ZOOM 1202: £150
The Zoom 1202 was released in 1995, two years before the 1201, but we're not going to question the wisdom of Zooms model numbering policy here! ;-)
In many ways the 1202 can be considered the more sensible brother of the 1201. It doesn't have any of the bizarre stuff like the 1201's vocoder, Lo-Fi FX and ring modulator, but it does have a selection of more serious studio effects with some decent reverbs, delays, chorus and pitch shifting etc. Two benefits that are found on the1202 that are missing on the 1201, are low and high EQ knobs, and two edit knobs instead of just the one. These allow you to set delay times independently for the left and right channels, along with controlling the wider range of parallel effects that can be found on the 1202 i.e. a delay on the left channel and reverb on the right etc.
Essentially the 1202 will sit quietly in your rack just getting on with it with a certain amount of workhorse style, while the 1201 is busy pissing in the sink and vomiting on the curtains.
This more refined nature for the 1202 does come with a major benefit when the unit is circuit bent, in that with the addition of a reclocking knob the reverbs stay remarkably intact as you clock the unit down to slower system speeds. As the clock speed of the system slows, the reverbs become more and more granular until early reflections turn into creaking glacial lumps of noise and tails decay into a huge sea of sound. Unlike with many similar units, running the system at these low clock speeds doesn't introduce horrible squealing aliasing noise, or a floor of hissing white noise making the effect unusable. The reverbs produced may be unlike anything you've ever heard, but they are definitely a product of the sounds fed into the unit rather than being completely disconnected.
Alongside the reclocking knob we have also installed a 9 way RAM decimation switching matrix. The switching matrix operates on any effect that uses the onboard RAM. This includes the reverbs, delay, chorus, flanger, pitch shifting etc.
The switching matrix allows you to apply what sounds like various kinds of comb filters, pseudo ring modulation, bit crushing, distortion, and what can only be described as audio smearing™. Each switch has a certain effect variation that is usually associated with it, such as a certain frequency of sample chopping or distortion intensity, although its effect can be altered depending on which other switches are activated simultaneously. You have to activate more than one switch at a time for any new effect to be applied, but when two or more switches are activated their associated effects will combine to produce something new. Usually the original signal is not effected, but the effect signal will be, i.e. in a delay setting the original dry signal will pass through the unit unscathed, but the actual delay signal will be mangled beyond recognition. but the 1202 has one unexpected bonus......
Certain switch combinations on certain effects cause whatever is in the RAM at the time to be frozen and looped until the switches are released. This is especially effective on delay effects where echos can be grabbed and looped around while a sound is playing through the unit to create strange fills and breaks. This is shown to good effect on the percussion sounds and breakbeat in the 2nd demo below
Theres also the most exciting of all our mods............. a power switch!
Take a listen to the demos below to hear the kind of effects that this thing is now capable of producing.
If you want to buy this machine please get in contact HERE.